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Propaganda 3
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Propaganda - Issue 3 (1994-01-15)(Razor 1911).adf
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fleshbrain.txt
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1989-08-17
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FLESHBRAIN
çddf,faa,afa,aaf,faf,ffa,aff
¢ FLESHBRAIN
³Comments From the studio musician,
Andreas Stenhager:
¹
The first thought that struck my mind
when hearing this guys tunes was that
they are powerful but very very
unfinished.
The tunes are all very long, I think
one was over 15 minutes. I don't
think that I(or anybody else) has the
power to listen through the whole
tunes if we don't have to, because
they have a bassline and drumsequence
that last right through the song(in 15
minutes!) and even if he is
experienced and skilled playing around
with the leads it easily gets quite
boring in the end.
Often he has a very good basic idea,
especially in the tune Soothsayer.
The melody starts with a genius
sequence. But then he extends it and
then he extends the extended melody.
It does not work. To his defence I
can say that he uses very powerful
samples at good rates. They fit with
each other. I have a hard time
figuring out how he and Bjorn A Lynne
could work out together; they are as
different as two can be. Maybe that
is the thing.
¶³Diesel's comment:
¹
I'd a hard time figuring out the good
sides of Fleshbrain's music when I
read Eurochart, but nowadays I listen
to his tunes with great pleasure.
They are very funny, because I know
that he said 'Ha! I wonder what
they'll say if I put this note here
and this snare here!' when he composed
the song. Many of his tunes are very
nice. As Andreas states above,
Fleshbrain generally tends to release
his tunes without finishing them
before, though. That is a pity, but I
don't care!